（一） 學術著作（Publications）：

（1）專書（Books）：

1. Images of War: The Cultural Construction of Qing Martial Prowess. Singapore: National Singapore University Press, forthcoming.
2. Kehua zhanxun: Qing chao diguo wugong de wenhua jiangou (The Commemorative Images of War: The Cultural Construction of Qing Martial Prowess). Beijing: Shehui kexue wenxian chuabnshe (Social Sciences Academic Press), 2016. 《刻畫戰勳：清朝帝國武功的文化建構》，北京：社會科學文獻出版社，2016。

（2）期刊論文與專書論文（Journal Articles and Book Chapters）：

1. ‘Disclosing the Secret of a Garden: Yuzhi Bishu shangzhuang shi (Imperial Poems on Mountain Estate for Escaping the Summer Heat) and Pictures of Thirty-Six Scenic Sites,’ in Yu-chi Lai ed., Seeing: 48 Object Readers and Their Worlds, New Taipei City: Walkers Cultural Enterprise, 2022, pp. 398-406. 〈揭發一座園林的秘密：《御製避暑山莊詩》及三十六景圖〉，賴毓芝總策畫，《物見：四十八位閱讀者與他們所見的世界》，新北市：遠足文化事業，2022，頁398-406。
2. ‘Interaction between the Mercantile Community and Local Society: Commercial Culture Portrayed in Qing Suzhou Prints (revised version),’ Etching Copper and Carving Wood: High Qing Prints Crossing Culture in Art Collection and Connoisseurship 18 (2021.9): 125-168. 〈商人社群與地方社會的交融：從清代蘇州版畫看地方商業文化〉（修訂版），《藝術收藏與鑑賞》第18期：《蝕銅刻木：跨文化的康乾盛世版畫》（2021.9），頁125-168。
3. ‘To Visualize or Not to Visualize: Commemorating the Suppression of Revolt in Early Qing China,’ in Monika Renate Barget, David de Boer and Malte Griesse eds. Revolts and Political Violence in Early Modern Imagery, in the Series of Brill's Studies on Art, Art History, and Intellectual History, Vol. 54, Leiden: Brill, 2021, pp. 21-35.
4. ‘Disclosing the Veil of Thirty-Six Scenic Sites of Mountain Estate for Escaping the Summer Heat: The Intension of the Making of Kangxi Yuzhi Bishu shangzhuang shi (Imperial Poems on Mountain Estate for Escaping the Summer Heat),’ Art and Collection 330 (2020.3): 122-129.〈揭開避暑山莊三十六景的面紗—解讀康熙《御製避暑山莊詩》圖冊的製作意圖〉，《典藏古美術》第330期，（2020.3），頁122-129。
5. ‘A Re-examination of the Manchu Culture of Martial Prowess: The Invention of Fanglue (Official Campaign Histories) by the Kangxi Court’, New History 30:4 (2019.12): 55-122. 〈滿洲尚武文化再檢視—以康熙創發方略為例〉，《新史學》第30卷第4期，（2019.12），頁55-122。
6. ‘Zhang Zongcang and His Welcoming Album Sixteen Sights of Suzhou Mountains,’ National Palace Museum Monthly of Chinese Art 409 (2017.4): 42-49.〈送禮高手張宗蒼和其恭迎巡覽的《吳山十六景》〉，《故宮文物月刊》第409期（2017.4），頁42-49。
7. ‘Garden, Travel Palace and Imperial Prerogative: Images of Imperial Gardens Published by the Qianlong Court,’ New History Journal 28:3 (2017.9): 1-69. 〈園林、行宮與皇權：乾隆宮廷刊印的皇苑圖繪〉，《新史學》第28卷第三期，頁1-69（2017.9）。
8. ‘War and Empire: Images of Battle during the Qianlong Reign,’ in pp. 258-272 in Petra Chu and Ding Ning eds. Qing Encounters: Artistic Exchanges between China and the West. Los Angeles: Getty Research Institute, 2015.
9. ‘The New Pictorial Canon of Imperial Gardens: The Production and Meaning of Kangxi Yuzhi Bishu shangzhuang shi (Imperial Poems on Mountain Estate for Escaping the Summer Heat),’ The National Palace Museum Research Quarterly 32:2 (Winter, 2014): 39-80. 〈皇苑圖繪的新典範：康熙《御製避暑山莊詩》的製作及其意義〉，《故宮學術季刊》32卷第2期（2014冬），頁39-80。
10. ‘Jin (Shanxi) Merchants of Yangzhou: Thoughts on Paintings by Yuan Yao,’ New History Journal 25:2 (2014.6): 51-106. 〈晉商在揚州：從袁耀的幾件作品談起〉，《新史學》25卷第2期（2014.6），頁51-106。
11. ‘Military Achievement and Official Accomplishment: Ming Images of Warfare and the Visual Culture of Officialdom,’ Journal of Ming Studies17 (2011.12): 49-89. Japanese translation in Tokyo Daigaku Shiryo Hensan-jo Kenkyu Kiyo 23 (2013.3): 316-347; also in Suda Makiko ed., Reading Paintings of Japanese Pirates (Tokyo: Bensei, 2016), 139-201. 〈戰勳與宦蹟：明代戰爭相關圖像與官員視覺文化〉，《明代研究》，第17期（2011.12），頁49-89。日文植松瑞希譯，〈戰勳と宦蹟：明代の戰爭圖像と官員の視覺文化〉，《東京大學史料編纂研究所研究紀要》23（2013.3），頁316-347；收入須田牧子編，《「倭寇圖卷」「抗倭圖卷」をよむ》（東京：勉誠出版，2016），頁139-201。
12. ‘Pictorial Art in the Chinese Court: Two Decades (1999-2009) of Research in Taiwan,’ NCU Journal of Art Studies 8 (2011.5): 205-242. 〈二十年（1990-2009）來臺灣關於中國宮廷圖繪的研究〉，《藝術學研究》，第8期（2011.5），頁205-242。
13. ‘Customs, Provinces, and the Empire: The Making of Taiping huanle tu (The Album of Happiness in a Peaceful Age) and Its Representation of “Peaceful Regime,”’ National Central University Journal of Humanities 45 (2011.1): 141-194. 〈風俗、地方與帝國：《太平歡樂圖》的製作及其對「熙皞之象」的呈現〉，《國立中央大學人文學報》，第45期（2011.1），頁141-194。
14. ‘From The Jade Terrace History of Calligraphy to The Jade Terrace History of Painting: The Separate Compilation of Women Artists’ Biographies and the Cultural Tradition of Zhexi (Western Zhejiang),’ Tsing Hua Journal of Chinese Studies 40:3 (2010.9): 411-451. 〈從《玉臺書史》到《玉臺畫史》：女性藝術家傳記的獨立成書與浙西的藝文傳承〉，《清華學報》，新40卷第3期（2010.9），頁411-451。
15. ‘Interaction between the Mercantile Community and Local Society: Commercial Culture Portrayed in Qing Suzhou Prints,’ Chinese Studies 61 (2010.6): 87-126. 〈商人社群與地方社會的交融：從清代蘇州版畫看地方商業文化〉，《漢學研究》，第28卷第2期（2010.6），頁87-126。
16. ‘The Transformation and Meanings of the Iconography of Horse Paintings in the Qing Court－Beginning with Giuseppe Castiglione’s One Hundred Horses,’ National Palace Museum Research Quarterly 27:3 (2010 Spring): 103-138. 〈清代宮廷畫馬語彙的轉換與意義：從郎世寧的《百駿圖》談起〉，《故宮學術季刊》，第27卷第3期（2010春），頁103-138。
17. ‘Mediating between Local Society and the Center: The Dual Character of Burgeoning Life in a Resplendent Age,’ Taida Journal of Art History 24 (2008.3): 259-322. 〈中介於地方與中央之間：《盛世滋生圖》的雙重性格〉，《國立台灣大學美術史研究集刊》，第24期（2008.3），頁259-322。
18. ‘Cultural Geographies of Nanjing’ in Richard Vinograd, ed. The Southern Metropolis: Pictorial Art in Seventeenth-Century Nanjing, Stanford, CA: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2002.〈南京的文化地理〉，收入文以誠 (Richard Vinograd) 編輯，《南方大都會：十七世紀南京的視覺藝術》，加州史丹福：坎特視覺藝術中心，史丹福大學，2002年。

（3）研討會論文（Conference Presentations）：

1. ‘Interaction between the Mercantile Community and Local Society: Commercial Culture Portrayed in Qing Suzhou Prints,’ International Symposium of ‘Chinese Printed Pictures,’ organized by Umi-Mori Art Museum and International Ukiuo-e Society (Hiroshima, February 1, 2020) 〈商人コミュニティと地方社会の相互作用: 清代蘇州版画にみる地方商業文化〉，「中国版画」国際シンポジウム，廣島海の見える杜美術館、国際浮世絵学会主辦，東方学会、美術史学会、東京芸術大学大学院協辦中国版画国際シンポジウム，2020年2月1日。
2. ‘From Memorials to Campaign Histories: The Imperial Appropriation of Officials’ Culture in the Kangxi Court,’ The International Conference of ‘Change and Exchange in Early Modern Times’ organized by Institute of History, National Tsing Hua University (Hsinchu, Taiwan, June 11-13, 2018) 〈從奏議到方略：康熙宮廷對官員文化的皇權轉化〉，「近世以來文明變遷與交流」國際學術研討會，國立清華大學歷史研究所，2018年6月11-13日。
3. ‘Manchu Martial Prowess Transformed: Commemorative Images of War and the Limits of European Model’ International Conference ‘EuroAsian Objects: Art and Material Culture in Global Exchange, 1600-1800’ Heidelberg University (Heidelberg University, November 21-23, 2014) 〈轉換滿洲武功：戰勳圖像與歐洲範式的限制〉，海德堡大學，「歐亞物像：全球交流中的藝術與物質文化，1600-1800」國際研討會，2014年11月21-23日。
4. ‘The Manifestation of Qianlong Battle Imagery and The Display of Imperial Military Splendor at Ziguang Pavilion,’ The Fourth Academic Symposium Organized by the Palace Museum across the Strait ‘The Artistic Taste of the Qianlong Emperor,’ Palace Museum, Beijing (Beijing, November 8-10, 2013) 〈乾隆戰圖的出現與展示帝國武勳的紫光閣〉，「乾隆皇帝的藝術品味」兩岸故宮第四屆學術研討會，北京故宮博物院，2013年11月8-10日。
5. ‘From Personal Accomplishment to Imperial Achievement: Images of War in Late Imperial China,’ International Conference ‘War in the Visual Arts,’ University College Cork (Cork, Ireland, September 12-14, 2013) 〈從個人勳蹟到帝國武功：晚期中國的戰爭圖像〉，科克大學，「視覺藝術中的戰爭」國際研討會，2013年9月12-14日。
6. ‘Depicting Victories on the Frontier: War and Empire in the East Turkestan Campaign,’ International Symposium ‘Entangled Landscapes: Rethinking the Landscape Exchange between China and Europe in the 16^th-18^th centuries,’ University of Zurich (Zurich, May 10-12, 2013) 〈邊疆勝戰的圖繪：《平定西域戰圖》與帝國武功〉，蘇黎世大學，「錯結的風景：反思十六到十八世紀中國與歐洲的風景交流」國際研討會，2013年5月10-12日。
7. ‘Jin (Shanxi) Merchants at Yangzhou: Beginning with Several Paintings by Yuan Yao,’ The Sixth International Symposium of Jiangnan Social History ‘Jiangnan Society in the Perspective of New Cultural History’ Research Center for Chinese Society, Shanghai Normal University (Wuxi, PRC, December 14-17, 2012) 〈晉商在揚州：從袁耀的幾件作品談起〉，中央研究院明清研究推動委員會，「2012明清研究工作坊」，2012年12月3日；上海師範大學中國社會研究中心，「第六屆江南社會史國際學術論壇：新文化史視野下的江南社會」國際學術研討會，2012年12月14-17日。
8. ‘War and Empire: Images of Battles under the Qianlong Reign,’ International Symposium ‘Qing Encounters: Artistic Exchanges between China and West’ sponsored by J. Paul Getty Foundation and organized by Beijing University and Seton Hall University (Beijing: Beijing University, October 10-13, 2012) 〈戰爭與帝國：乾隆麾下的武勳圖像〉，北京大學與西東大學（Seton Hall University）主辦，保羅蓋蒂基金會（J. Paul Getty Foundation）贊助，「相遇清代：中國與西方的藝術交流」國際研討會，2012年10月10-13日。
9. ‘War and Manchu: “Pictorial Veritable Records of Taizu” and Hong Taiji’s Construction of Manchu Identity,’ International Symposium on Multiculturalism in Monsoon Asia (Hsinchu, Taiwan: Research Center for Humanities and Social Sciences, National Tsing Hua University, June 3-4, 2012) 〈戰爭與滿洲：「太祖實錄圖」與皇太極對滿洲意識的建構〉，國立清華大學人文社會研究中心，「季風亞洲與多元文化」國際學術研討會，2012年6月3-4日。
10. ‘From Personal Accomplishment to Imperial Military Achievement: The Transformation of Qianlong Battle Images,’ International Symposium ‘Visual Culture in the Era of Emperor Qianlong’ (Taipei: Institute of Art History, National Taiwan University, December 15-16, 2011) 〈從個人勳蹟到帝國武功：乾隆朝戰爭圖像的轉化〉，國立台灣大學藝術史研究所，「宮廷與地方：乾隆朝視覺文化」國際學術研討會，2011年12月15-16日。
11. ‘Chinese Court Painting Studies in Taiwan, 1990-2009,’ International Symposium on New History and Historical Studies in Taiwan, 1990-2009 (Taipei: Department of History, National Chengchi University, December 12-13, 2009) 〈二十年（1990-2009）來臺灣關於中國宮廷圖繪的研究〉，國立政治大學歷史學系、新史學雜誌社，「新史學與台灣史學二十年」，2009年12月12-13日。
12. ‘From The Jade Terrace History of Calligraphy to The Jade Terrace of Painting: The Separate Compilation of Female Artists’ Biographies and the Zhexi (Western Zhejiang) Tradition of Arts and Culture,’ Rethinking the Written Word: An Interdisciplinary Symposium on Chinese Calligraphy (Taipei: Graduate Institute of Art History, National Formal University, November 1-2, 2008) 〈從《玉臺書史》到《玉臺畫史》：女性藝術家傳記的獨立成書與浙西的藝文傳承〉，國立台灣師範大學藝術史研究所，「筆墨之外：中國書法史跨領域國際學術研討會」，2008年11月1-2日。
13. ‘At the Center of Time and Space: Visualizing the Capital through Suzhou and the Imagined Provinces,’ City Life in Jiangnan: From Late Imperial to Early Modern China (Harvard University, October 2006; Heidelberg, September 2006) 〈位於時間與空間的中心：透過蘇州與想像的省方描繪帝都〉，哈佛大學東亞研究中心「江南的城市生活」研討會，2006年10月；海德堡東亞藝術史研討會，2006年9月。
14. ‘Suzhou in Imperial Supervision: Recasting Local Perspective in the Qianlong Southern Tour Paintings,’ Annual Meeting of the Association for Asian Studies (San Diego, March 2003) 〈帝王監視下的蘇州:乾隆南巡圖中對地方觀點的改造〉，亞洲學會年度會議，聖地牙哥，2003年3月。

（二）研究計畫（Research Projects and Grants）：

1. Research Grant, Ministry of Science and Technology, Taiwan (MOST 109-2410-H-007-058) (2020/8 – 2021/7)
2. Writing Grant, Ministry of Science and Technology, Taiwan (MOST 106-2410-H-007-049) (2017/8 – 2019/7)
3. Research Grant, Ministry of Science and Technology, Taiwan (MOST 104-2410-H-007-026) (2015/8 – 2016/7)
4. Research Grant, National Science Council, Taiwan (NSC 102-2410-H-007-040) (2013/8 – 2015/7)
5. Sabbatical Grant, National Science Council, Taiwan (NSC 102-2918-I-007-004) (2013/8 – 2014/7)
6. Research Grant, National Science Council, Taiwan (NSC 101-2410-H-007-045) (2012/8 – 2013/7)
7. Research Grant, National Science Council, Taiwan (NSC 99-2410-H-007-044) (2010.8 – 2012.7)
8. Research Grant, National Science Council, Taiwan (NSC 98-2410-H-007-045) (2009.8 – 2010.7)
9. Research Grant, Boost Program of National Tsing Hua University, Taiwan (98N2929E1 & 99N2527E1) (2009.3 – 2010.12)
10. Research Grant, National Science Council, Taiwan (NSC 97-2410-H-007-056) (2008.9 – 2009.7)
11. Postdoctoral Fellowship, Institute of History and Philology, Academia Sinica, Taiwan (2007.4 – 2007.7)
12. Geballe Dissertation Fellowship, Stanford Humanities Center (2005.9 – 2006.6)
13. Summer Travel Grant, Center for East Asian Studies, Stanford University (2005)
14. Department of Art and Art History, The Edward McCormick Blair, Jr. and Frances De Bretteville Blair Fellowship in the Art History, Stanford University (2004.9 – 2005.5)
15. Dissertation Research Grant in Chinese Studies, Institute for International Studies, Stanford University (2003.9 – 2004.6)
16. Language Study Summer Grant, Center for East Asian Studies, Stanford University (2003)
17. Graduate Research Opportunity Fund, Stanford University (Spring 2003)
18. The Government Scholarship of Ministry of Education of Taiwan (2000.1 – 2002.12)
19. Zhongliu Foundation Travel Grant, Taipei, Taiwan (1999)

（三）獎項（Award）：

1. The Best Ten Books of Social Sciences Academic Press (China, 2016) 第八屆社科文獻十大好書 (2016)
2. New Faculty Research Award, National Tsing Hua University (2010.11) 國立清華大學新進人員研究獎 (2010)